Wednesday, 20 March 2013

The challenges of moving to Digital Cinema

Steve Perrin- Chief executive

Financial 
  • Costs- around £50k per screen plus finance and other costs
  • Major distributors unwilling to accept any lower standard
  • No or minimal support
  • Current funding mechanism(Virtual print fee) is complex and very difficult to access for small,individual operators
  • General banking and economic environment
The VPF explained
  • The VPF is a sum of money paid to a cinema when a film is played on a VPF supported system on the release date of the film (a 'turn')
  • So, if a cinema plays enough first run films over the funding period, say 10 years, then it covers off about 75/80% of the equiptment and finance costs
  • A good proposition for major, commercial operators e.g. a national circuit
  • But, what about the smaller cinemas who play second run, or repertory-types programmes!
The digital funding partnership solution
  • A 'co-operative' of some 400 screens covering all types of independently owned cinemas
  • Collectively and in aggregate have sufficient first run programming (turns) to enter into VPF  deals on the same basis as major circuits
  • DFP acts as a 'quasi circuit' and has a fully financed deal with a third party whereby that party will receive sufficient VPFs to pay back all relevant costs
  • The strategic beauty is that all cinemas benefit and none lose
  • Scheme supported and backed by all studios, major UK circuits, BFI and Minister of culture.
Technical and Logistical

  • Competition for equipment and technical expertise for physical instillations
  • Space and facilities required in projection booth (e.g. aircon, power, ADSL connectivity, Portholes, etc..)
  • Training and 'mind-set' issues 
  • Loading and playing out content
  • Security, unlock keys for encrypted content...etc...
  • Basically a complete new way of operating
Maintaining the model
  • Todays business plans are built around existing and historical distribution practices
  • This needs to remain as the predominant methodology for at least 8/10 years to allow cinemas the time to recoup their outlay and take full ownership of the equipment
  • New practices e.g. early VOD, restricted copies, may challenge the model and make life very difficult for a number of the cinemas over the period
  • So, conversion is just the first step into what may be an uncertain world.

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